To put it bluntly: I don’t know why Anthony can’t stop thinking about Kate, or what it is about him specifically that so appeals to her. But Kate and Anthony’s connection never seems to go much beyond that, because the bizarre pacing of season 2 that often seems to eager focus on every story except its central romance drags out their slow-burn flirtation for so long that we never really get to see them get to know one another. Don’t get me wrong, Simone Ashley and Jonathan Bailey generate all kinds of heat together and the sexual tension between their characters is see-it-from-space obvious. (Even if it doesn’t give me quite as much backstory on Lady Mary’s original decision to leave England as I might have liked.)īut as welcome as this move is, it also erases the longstanding if vague familiarity that Anthony and Kate have with one another in the books, and Bridgertonfails to come up with a suitable replacement for it. And that change is largely wonderful: South Asian representation of any stripe is woefully lacking in this genre, and Bridgerton season 2 shines brightest when it’s focusing on the various relationships between and among the Sharma women. In keeping with its quest to diversify its Regency setting, Bridgerton reimagines the Sheffields as the Sharmas, turning the formerly established white family of Anthony’s love interest into one of Indian descent that has just arrived in town for the season. Because this on-screen version of Kate is strangely flat and aggressively mean, with plenty of jagged edges and little depth. But, sadly, if your only exposure to the Quinniverse is by way of Bridgerton season 2, you might find yourself wondering why precisely that is. The character of Kate Sheffield, the heroine of the second Bridgerton book The Viscount Who Loved Me, is probably the most popular heroine in Quinn’s novels and fans everywhere were eager to see her come to life onscreen. And it seemed as though things were only going to get better from there. And, as a result, it exploded into the pop culture mainstream like a glitter bomb, driving droves of new readers to the Julia Quinn series of books on which the series is based and making the period drama, as a genre, cooler than it had been in a very long time. The first season of the Netflix period drama Bridgerton was an unexpected, sparkling delight: A sexy, surprisingly feminist romance that was as concerned with female agency and pleasure as much as it was with the handsome leading man who often seemed to be allergic to shirts. The following contains spoilers for Bridgerton season 2.
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