Website: - Marion Cossin est ingénieure de recherche au Centre de recherche, d'innovation et de transfert en arts du cirque (CRITAC). Her works focus on the human-structure interaction between circus equipment and acrobats, improvement of safety practices, equipment design and performance improvement. She has a master’s degree in mechanical engineering from École Polytechnique. She also is a PhD student in biomedical engineering at the Université de Montréal and at École Polytechnique de Montréal and with the partnership of the national circus School. Marion Cossin is an engineer of research at the Center for Research, Innovation and Transfer in Circus Arts/SSHRC Industrial Research Chair in circus arts in Montréal. The goal of this committee was and remains to advise. My role within this group as a researcher from the Center for Circus Arts Research, Innovation and Knowledge Transfer (CRITAC) was, and is still today, to provide an evidence-based decision-making process built on a fast-evolving scientific literature about COVID-19. Each subcommittee being composed of representatives from the School’s various departments (technical, teachers, communication and administrative). Said committee was divided into three subcommittees: development committee, equipment committee, and support partners. Marie-Pier Rousseau, Human Resources Advisor, and Christine Thibaudeau, Director of Technical Services and Production, managed the new Circus Health and Safety Committee throughout the crisis. The Circus Health and Safety Committee It all began with the establishment of an internal committee on April 29 at ENC. At ENC, the decision to reopen the school and the question as to how to reopen the school was guided by a risk-based approach to maximize the education, well-being and health benefits for our students, teachers, staff, and thus, the wider circus community. This statement certainly applies to circus schools all around the world. Caroline Quach, a researcher from Quebec, said: ‘’Fighting COVID-19 is like building the plane while you’re flying it’’. Think big and come and embrace everything we have to offer!” - Nadine Marchand, director of MONTRÉAL COMPLÈTEMENT CiRQUE.For the National Circus School (ENC), as well as all circus schools around the world, the COVID-19 pandemic represents an exceptional challenge, one for which there are no preconfigured guidelines that can dictate appropriate responses. We promise absolutely striking, daring or emotional moments, moments that call for celebration or guaranteed laughter! This is circus - in all its forms and in all its richness. I invite everyone to stroll on the TOHU site and enjoy all its effervescence. “We’ve been dreaming all year about this new edition! All year, we’ve been preparing ourselves to celebrate this reunion between the public and artists, and we wanted to think big! Without barriers, without limits, in the pleasure of seeing each other again, in celebration and expectation of all its extraordinary artistic encounters. This panoply of artists will represent with flair the best of the world's contemporary circus with performances infused with inventiveness, rigor, risk and a touch of madness! After two years of adapted and even truncated programming, joy reigns within the MONTRÉALįrom JULY 7 TO 17, we can expect a particularly extensive 13th edition, punctuated by major new features and which will mark the great return of international circus artists to Montreal, from the Netherlands, Finland, Sweden, Guadeloupe, France and, of course, Quebec and Canada.
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